The MediaStorm Post-Production Workshop is an intensive, hands-on educational experience in advanced post-production for video and multimedia projects.
Participants will work with a professional editor/producer to turn their existing assets into a professional-quality, ready-for-publication digital multimedia story or short video.
Tuition is $1,000 per day per participant.
Note: Attendees are responsible for their own room and board during all workshops.
Location & Dates
The workshops will be based at MediaStorm's office in Brooklyn, New York. Dates are flexible. Please indicate preferred dates on your application form.
Interested applicants must fill out the online application. Once you submit the form, you will not be able to edit it. We strongly recommend copying the questions and working offline, and then pasting in your answers so that you don't lose any information.
This personalized workshop is designed to give individual participants a comprehensive post-production experience. A MediaStorm producer will work side-by-side with you on your existing project to craft a complete multimedia story.
This immersive approach allows MediaStorm producers to tailor instruction to individual participants. Regardless of previous experience level with the tools and media involved in the storytelling process, participants will be able to focus where they need to and work at their own pace.
Participants will have access to MediaStorm's tools, facilities and producers in New York City. The structure of the workshop is flexible and can be adapted to the participant's needs.
Out of town participants are expected to arrive in New York City the evening before the workshop begins.
Note:
There will be one Producer assigned specifically to your project for each workshop. Producers may vary from workshop to workshop.
What gear will I need to bring? Will anything be provided?
We will be providing high-end Macintosh computers and all software needed for the post production workstations.
Each participant should also bring an external hard drive with 250GB of free space so they can take the final project with them.
Can more than one person participate at a time?
This Workshop is designed to be an intensive one-on-one editing and production experience. That said, if you have a team of editors interested in participating, please contact us at
to discuss options.
Do I need to come with a finished project or will I be able to shoot while I'm there?
Participants are expected to come with completed assets to produce a multimedia project. If you are looking for a comprehensive shooting and production workshop, check out our Advanced Multimedia Reporting Workshop in New York City.
Where will participants stay?
Participants are responsible for their own room and board. We will provide local hotel and neighborhood information to accepted participants. MediaStorm is easily accessible by subway, so location is flexible.
Do you offer introductory workshops?
No. We feel there are already several terrific workshops out there offering introductory and intermediate instruction (see below), so we are focusing exclusively on advanced training.
Are there other workshops like this?
We think the MediaStorm Workshops are unique because of the small number of participants and the focus on advanced multimedia storytelling. With that said, there are a number of great workshops to consider:
The MediaStorm One Day Master Class provides a general, yet precise, overview of documentary video and multimedia storytelling approaches. MediaStorm founder Brian Storm will walk you through specific examples as well as proven tips to improve your interviewing, editing and distribution techniques.
These are the upcoming one day workshop dates:
The MediaStorm Methodology Master Class gives participants a chance to look inside the workings of a successful film and interactive production company, while taking them step-by-step through both the creative and business aspects of digital storytelling.
Founder Brian Storm will share MediaStorm’s workflow and storytelling methods and discuss essential elements of project organization and storytelling concepts.
You can attend the workshop in Los Gatos, CA in person or online via Zoom.
Upcoming date:
A family is determined to give their disabled son a whole and vital life. In the midst of a great burden, one small child – with a seemingly endless supply of love – is the blessing that holds a family together.
Virginia Gandee's brilliant red hair and dozen tattoos belie the reality of this 22-year-old's life. Inside her family's Staten Island trailer her caregiving goes far beyond the love she has for her daughter.
For Walter Backerman, seltzer is more than a drink. It’s the embodiment of his family. As a third generation seltzer man, he follows the same route as his grandfather. But after 90 years of business, Walter may be the last seltzer man.
Using humor and a love of fantasy, "The Amazing Amy" Harlib connects with audiences through performing strenuous yoga-based contortion acts in New York City.
Benny is a “certified” garbologist. He collects what others throw away. Benny is also at war with his family. Here is a man sharing a house with his wife but living as a stranger. This is a household on the edge.
Jay Singer has been in love with one Brooklyn neighborhood his entire life. He grew up there, pined for it when he was forced to leave and returned when he couldn’t stand to be away. “Coney Island Jay” really loves Coney Island.
Tim Obert has been a commercial fisherman since he was 12. But regulations aimed at saving whales and salmon in California leave him struggling to find balance between his dream, his family’s needs and the industry he loves.
Kryssy Kocktail grew up in troubled family and, as an adult, followed the mythic path of joining the circus. Amid the lights and energy of the Coney Island Circus Sideshow, she has found something that she never dreamed would be hers.
One evening, David Sheets read a story about a new basketball arena proposed for his neighborhood. Then he realized the plans were drawn right over his house. Hold Out is the story of a few neighbors who haven't been very easily dislodged.
Joe Soll has spent half of his life searching for his birth parents, in the process he uncovered a mystery that’s haunted him for years.
Diana Ortiz spent over half her life in prison for a crime she committed when she was a teenager. Now 45, she has turned her life around and works to help other inmates rebuild their lives. Exodus is her story.
MediaStorm's award-winning team of producers and cinematographers lead online training videos with lessons learned from their experience producing films and training groups and organizations around the world.
Developed over seven years and more than 100 projects, our downloadable post-production workflow covers every phase of editing, from organizing assets through outputting final projects and archiving.
Available for iPad on iTunes, the MediaStorm Field Guide outlines fundamental concepts for gathering multimedia content in the field for documentary films.
Once teetering on the brink of extinction, the Santa Catalina Island Fox made a dramatic recovery. Its resurgence marks one of the greatest conservation success stories in United States history.
In the shadow of Silicon Valley’s booming technology industry, a growing number of people remain out in the cold. Skyrocketing housing prices in America’s hub of innovation have pushed many onto the streets, straining policymakers to find solutions to a homelessness problem that impacts everyone in the community.
This page recognizing Zora J Murff for ICP’s 2023 Infinity Award for Documentary Practice and Visual Journalism features a film about his life, a slideshow of his projects and extra clips of his thoughts about his work and motivation.
Sebastião Salgado says "a good picture, a fantastic picture, you do in a fraction of a second, but to arrive to do this picture, you must put your life in there."
Esther Horvath has sent questions to the universe and she has received answers. She found her calling to tell visual stories that show the full research story behind our climate data.
See photographer Acacia Johnson’s growth from her earliest explorations of Alaskan landscapes to a National Geographic cover for a documentary project among indigenous people of the Arctic.
Sir Don McCullin never intended to become a photographer. He found it hard to believe he’d ever escape the poverty of North London. But a spur of the moment photograph launched McCullin into a career spanning 50 years in photography.
As the U.S. prepares for the final drawdown of soldiers from the conflicts in Iraq and Afghanistan, Soledad O’Brien and MediaStorm take an intimate look at two veterans as they struggle with the transition from war to home.
Writer Zadie Smith pays homage to photographer Deana Lawson in the artist’s first Monograph for Aperture.
As a formerly incarcerated person, Michael struggled for work, and found purpose in being a husband, father, and activist. But 7 years since his release from prison, the cost of Michael’s activism is evident.
Benny is a “certified” garbologist. He collects what others throw away. Benny is also at war with his family. Here is a man sharing a house with his wife but living as a stranger. This is a household on the edge.
Photographer Amber Bracken recognized something deeper than a protest was afoot when hundreds of tribes gathered at the Standing Rock reservation in opposition to the Dakota Access Pipeline.
How does the death of a child change a parent? How does the death of a parent change a child? How do these moments change us as we develop and grow further away from who we were as children?
Maurice Berger–cultural historian, and columnist for the New York Times’ Race Stories–has spent his career studying and teaching racial literacy through visual literacy.
Japan’s Disposable Workers examines the country’s employment crisis: from suicide caused by overworking, to temporary workers forced by economics to live in internet cafes, and the elderly who wander a town in search of shelter and food.
Karl Ove Knausgaard is the celebrated author of a massive six-volume autobiography. But Knausgaard remains confused by the attention. This is a portrait of a man who has achieved massive success yet still considers himself unworthy.
Michael Thomasson has devoted his life to video games. It’s been his passion and his obsession for more than three decades. He owns over 11,000 unique game titles for more than 100 different systems.
A film about Michael Christopher Brown for the 2017 ICP Infinity Awards.
The Long Night, a feature film by Tim Matsui and MediaStorm, gives voice and meaning to the crisis of minors who are forced and coerced into the American sex trade.
Jonathan Harris and Greg Hochmuth have a complicated relationship with the internet and have worked together to develop an artwork that explored some of the more difficult consequences of what it means to live with the internet.
In 1977, Robyn Davidson walked 1,700 miles across the Australian outback. National Geographic sent Rick Smolan to photograph her perilous journey—a trek that tested and transformed them, forming an immutable bond that continues to this day.
Once at the center of the U.S. economy, the family farm now drifts at its edges. In Iowa, old-time farmers try to hang on to their way of life, while their young push out to find their futures elsewhere. Driftless tells their stories.
The American family farm gives way to a subdivision - a critical cultural shift across the U.S. Common Ground is a 27-year document of this transition, through the Cagwins and the Grabenhofers, two families who love the same plot of land.
For Walter Backerman, seltzer is more than a drink. It’s the embodiment of his family. As a third generation seltzer man, he follows the same route as his grandfather. But after 90 years of business, Walter may be the last seltzer man.
Larry Fink has spent over 40 years photographing jazz musicians, wealthy manhattanites, his neighbors, fashion models, and the celebrity elite. His archive is a thoughtful collection of American history, and Fink’s experience of it.
LaToya Ruby Frazier’s body of work “The Notion of Family” examines the impact of the steel industry and the health care system on the community and her family. Collaborating with her mother and grandmother, she uses her family as a lens to view the past, present and future of the town.
Tomas Van Houtryve wants there to be a permanent visual record of the dawn of the drone age, the period in American history when America started outsourcing their military to flying robots. In order to create this record, Van Houtryve sent his own drone into American skies.
Evgenia Arbugaeva was born in the magical town of Tiksi, Russia. This barren, arctic landscape influenced Arbugaeva in almost every aspect of her dreamlike photography.
Surviving the Peace: Laos takes an intimate look at the impact of unexploded bombs left over from the Vietnam war in Laos and profiles the dangerous, yet life saving work, that MAG has undertaken in the country.
A family is determined to give their disabled son a whole and vital life. In the midst of a great burden, one small child – with a seemingly endless supply of love – is the blessing that holds a family together.
Inspired by the photographs of the Farm Security Administration growing up, Lynn Johnson has spent nearly 35 years as a photojournalist working for LIFE, National Geographic, Sports Illustrated and various foundations.
Resetting the Table takes a unique, personal look at the impact Starbucks’ Create Jobs for USA program has had on the American Mug & Stein pottery facility in East Liverpool, Ohio.
Hungry Horse captures the spirit of renewal, peace and serenity through stunning landscapes and intimate oral histories.
Using humor and a love of fantasy, "The Amazing Amy" Harlib connects with audiences through performing strenuous yoga-based contortion acts in New York City.
In many countries, girls as young as eight are forced into marriage by their families, culture and economic situation. This practice destroys their chance at education leading to tragic results.
Surreal and mysterious, North Korea was a black hole to outsiders wanting a glimpse of the country. That all changed in 2012, when AP photographer David Guttenfelder led the opening of the bureau's newest office inside the North Korea.
Virginia Gandee's brilliant red hair and dozen tattoos belie the reality of this 22-year-old's life. Inside her family's Staten Island trailer her caregiving goes far beyond the love she has for her daughter.
Based on 14 trips to Afghanistan between 1994 and 2010, A Darkness Visible: Afghanistan is the work of photojournalist Seamus Murphy. His work chronicles a people caught time and again in political turmoil, struggling to find their way.
In Rwanda, in 1994, Hutu militia committed a bloody genocide, murdering one million Tutsis. Many of the Tutsi women were spared, only to be held captive and repeatedly raped. Many became pregnant. Intended Consequences tells their stories.
To those who serve in the armed forces, what is the aftereffect of war? The Marlboro Marine is photographer Luis Sinco's portrait of Marine Corporal James Blake Miller, whom he met in Iraq. For Miller, coming home has been its own battle.
Zakouma National Park is one of the last places on earth where elephants still roam by the thousands. In a land where poachers will slaughter the huge animals for their tusks alone, it takes armed guards to keep them safe.
Kingsley's Crossing is the story of one man's dream to leave the poverty of life in Africa for the promised land of Europe. We walk in his shoes, as photojournalist Olivier Jobard accompanies Kingsley on his uncertain and perilous journey.
The MediaStorm Platform is an advanced video platform that extends the user experience beyond linear video to include the interactive capabilities of the Internet.
The MediaStorm Platform is an advanced video platform that extends the user experience beyond linear video to include the interactive capabilities of the Internet.
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