Writer Zadie Smith pays homage to photographer Deana Lawson in the artist’s first Monograph for Aperture. In this essay, Smith describes how Deana Lawson’s work uniquely places individuals from the African Diaspora in a “kingdom of restored glory”. Despite the circumstances her subjects might find themselves in–poverty, overcriminalization, systemic racism–in a Lawson portrait, they radiate royalty. Smith describes Lawson’s subjects as queens; men and women who are celebrated in ways they so rarely are by our visual culture. “Deana Lawson’s Kingdom of Restored Glory” is a tribute to a photographer who captures her subjects as they hope to be seen “beautiful, imperious, unbroken, unfallen”.
Deana Lawson is one of the most intriguing photographers of her generation. Over the last ten years, she has created a visionary language to describe identities through intimate portraiture and striking accounts of ceremonies and rituals.
At the center of this invigorating novel are two unlikely friends, Archie Jones and Samad Iqbal. Hapless veterans of World War II, Archie and Samad and their families become agents of England’s irrevocable transformation.
An ambitious, exuberant new novel moving from North West London to West Africa, from the multi-award-winning author of White Teeth and On Beauty.
Since 1985, the International Center of Photography has recognized outstanding achievements in photography with its prestigious Infinity Awards. Since 2013, MediaStorm has been honored to partner with ICP and Harbers Studio to produce films that honor each awardee’s contribution to the field of photography and visual culture. This year’s winners are: Lifetime Achievement: Rosalind Fox Solomon; Critical Writing and Research: Zadie Smith, “Deana Lawson’s Kingdom of Restored Glory” for the New Yorker; excerpted from Deana Lawson: an Aperture Monograph (September 2018); Art: Dawoud Bey; Emerging Photographer: Jess T. Dugan; and Special Presentation: Shahidul Alam.
Writer Zadie Smith pays homage to photographer Deana Lawson in the artist’s first Monograph for Aperture. In this essay, Smith describes how Deana Lawson’s work uniquely places individuals from the African Diaspora in a “kingdom of restored glory”. Despite the circumstances her subjects might find themselves in–poverty, overcriminalization, systemic racism–in a Lawson portrait, they radiate royalty. Smith describes Lawson’s subjects as queens; men and women who are celebrated in ways they so rarely are by our visual culture. “Deana Lawson’s Kingdom of Restored Glory” is a tribute to a photographer who captures her subjects as they hope to be seen “beautiful, imperious, unfallen, unbroken”.
The International Center of Photography’s Infinity Awards celebrates the outstanding achievements of individuals in photography. These films premiered at the Infinity Awards gala on April 2nd in New York City, and are subsequently used by the organization for promotion and fundraising.
Due to unforeseen circumstances, MediaStorm was unable to interview Zadie Smith or Deana Lawson for this film. Interviews are critical to our process as they often shape the narrative spine of our films. We also only had access to a few pictures by Deana Lawson, largely those featured in the essay by Smith published by the New Yorker. We lacked the tools that inform our regular process so we had to create a new one.
MediaStorm producers Samia Khan and Tim McLaughlin excerpted a portion of Smith’s text to serve as voiceover (performed by Samia Khan). McLaughlin then used a combination of compelling stock imagery and Deana Lawson’s imagery to serve as the visuals for the film.
The film premiered on April 2, 2019 at the ICP Infinity Awards Gala in New York City. The film was a special feature of the evening, and a critical fundraising tool.
This film was a collaboration with Harbers Studio and the International Center of Photography.
Harbers Studios turbocharges the efforts of charitable entrepreneurs by helping them tell their stories. Our goal is to help them articulate and share the value of the work they do so they can inspire others to help them do it. Working with some of the best filmmaking talent in the world, Harbers Studios creates compelling visual narratives that enhance the endeavors of organizations working to make the world a better place.
The International Center of Photography (ICP) is the world’s leading institution dedicated to the practice and understanding of photography and the reproduced image in all its forms. Through exhibitions, educational programs, and community outreach, ICP offers an open forum for dialogue about the role images play in our culture. Since ICP’s founding, they have presented more than 500 exhibitions and offered thousands of classes, providing instruction at every level. ICP is a center where photographers and artists, students and scholars can create and interpret the world of the image within our comprehensive educational facilities and archive.
As a privately funded nonprofit arts and education organization, ICP depends in large part on friends such as you for support. Your generosity is vital to ICP as it continues to grow and succeed in its mission: to present photography's extraordinary power to the public.
There are many ways to give to ICP: Donate to the Annual Fund, create a scholarship, sponsor exhibitions and education programs, contribute to the Collection, or make a planned gift.
Since 1985, the International Center of Photography has recognized outstanding achievements in photography with its prestigious Infinity Awards. The awards ceremony is also ICP’s primary fundraising benefit, with its revenues assisting the center's various programs.
Harbers Studios commissioned MediaStorm, on behalf of ICP, to create a short film about each of the recipients to screen at the awards ceremony and to display online. The films pay tribute to the contributions of each artist to the craft and field of photography and demonstrate ICP's commitment to them.