Read more about the article MediaStorm Guide to Installing Missing Final Cut Pro Codecs for Premiere Pro

MediaStorm Guide to Installing Missing Final Cut Pro Codecs for Premiere Pro

This article is part of a new series of posts with tips and tricks from our producers' experience working with Adobe Premiere Pro after years of working in Final Cut Pro. To read more about why we made the switch, check out this post. This great tip comes from Jonathan Grubbs via Josh Meltzer. Should you install Premiere Pro on a machine without Final Cut Pro, you will find your machine missing some key codecs such as ProRes. The solution is straightforward. Quit Premiere Pro. Download the ProApps Quicktime Codecs from the Apple site. You’ll receive an error if you try to install the codec package without FCP on your system. The workaround is to first install the free application unpkg. Drag the ProAppsQTCodecs.pkg file on to the unpkg icon. Unpkg wil extract the components to your desktop. In the Finder select Go > Go to Folder… (Command-Shift-G). Enter /Library/QuickTime. Drag the…

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Read more about the article MediaStorm Introduces Asset Parser for Final Cut Pro 7 and Premiere Pro 6

MediaStorm Introduces Asset Parser for Final Cut Pro 7 and Premiere Pro 6

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Today we are releasing our Asset Parser for public use. This free online tool created by the MediaStorm production and development staff generates a list of all image, video and audio files used in a project. When it's time to color correct photography, rather than scanning the timeline for image names, we use the Asset Parser to create a quick list. These file names can then be copy-and-pasted into Apple’s Aperture or a similar application to locate the necessary photographs. Here's an example of an asset list generated by the parser. In addition to speeding up your color correction workflow, this list can be used as a guide for other tasks, such as manually archiving your work. The Asset Parser works with both Final Cut Pro 7 and Premiere Pro 6. Try using the Asset Parser with your project at player.mediastorm.com/tools/asset-parser.

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Read more about the article MediaStorm Guide to the Adobe Premiere Pro Media Cache Database

MediaStorm Guide to the Adobe Premiere Pro Media Cache Database

This article is part of a new series of posts with tips and tricks from our producers' experience working with Adobe Premiere Pro after years of working in Final Cut Pro. To read more about why we made the switch, check out this post. Today's post was written by MediaStorm producer Eric Maierson. Each time you import audio or MPEG video files into Adobe Premiere Pro, the application caches a version into a database. This speeds up performance so that new previews do not need to be generated each time you view a clip. Audio is stored in a .cfa file and MPEG in .mpgindex. These files are shared between Adobe Media Encoder, After Effects, Premiere Pro, Encore and Soundbooth. By default both the cache files and the database are stored in the location /Users//Library/Application Support/Adobe/Common. To check this, open Premiere Pro > Preferences > Media. Storing Cache Files Under normal circumstances,…

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Read more about the article MediaStorm Guide to Dynamic Linking in Adobe Premiere Pro and After Effects

MediaStorm Guide to Dynamic Linking in Adobe Premiere Pro and After Effects

This article is part of a new series of posts with tips and tricks from our producers' experience working with Adobe Production Pro after years of working in Final Cut Pro. To read more about why we made the switch, check out this post. Today's post was written by MediaStorm producer Eric Maierson. One of the many benefits of working with the Adobe Production Premium suite is the seamless manner in which applications work together. For example, you can easily send assets from Premiere Pro to After Effects to add additional effects or animation. Those changes will automatically update back in Premiere Pro, all without the need to export. This is a huge timesaver. In Premiere Pro select the clips you’d like to send to After Effects. Right-click and choose Replace With After Effects Composition (also found in the File > Adobe Link menu). A new composition will appear in your currently…

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Read more about the article MediaStorm Guide to Cropping Stills in Adobe Premiere Pro

MediaStorm Guide to Cropping Stills in Adobe Premiere Pro

This article is part of a new series of posts with tips and tricks from our producers' experience working with Adobe Premiere Pro after years of working in Final Cut Pro. To read more about why we made the switch, check out this post. Today's post was written by MediaStorm producer Eric Maierson. Let’s start with a picture of my dog, Emmy. This is what it looks like at full frame. When I drag this image from Apple’s Aperture in to the Adobe Premiere Pro timeline, Premiere does not scale the image to fit the frame size of my project (1920x1080). Instead it leaves the image at its original 100 percent size, larger than the Program window. This is different than Final Cut’s behavior, which automatically scales the image vertically to fit the Canvas size. Note that in the Premiere Pro > Preferences > General menu there is an option to change…

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