MediaStorm Guide to Recording Voice-Over in Premiere Pro 2014

This article is part of a series of posts with tips and tricks from our producers’ experience working with Adobe Premiere Pro CC after years of working in Final Cut Pro. To read more about why we made the switch, check out this post.


Recording voice-overs in Premiere Pro 2014 is both easy and straightforward.

First, you’ll need to connect your audio interface. From the Premiere Pro menu select Preferences > Audio Hardware.

I use the Mackie Onyx Blackjack 2×2 USB interface with a Heil Pr–40 microphone.

Therefore, from the Audio Hardware preference window, I select Onyx Blackjack. Depending on the input source, your options may vary.

Next, set the destination for recorded audio. From the File menu, select Project Settings > Scratch Disks… Change the Captured Audio destination to a folder where you’d like to store your voice-overs.

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MediaStorm Guide to Creating Multi-Camera Sequences in Premiere Pro, Part 2

This article is part of a series of posts with tips and tricks from our producers’ experience working with Adobe Premiere Pro CC after years of working in Final Cut Pro. To read more about why we made the switch, check out this post.


In the first part of this tutorial, I showed you how to sync multiple camera angles and audio sources using Red Giant’s $199 PluralEye’s 3.0. After you’ve imported the XML file generated by PluralEyes into Premiere Pro CC and your tracks are in sync, it’s time to create a multi-camera sequence.

First though, because PluralEyes offers no audio configuration options like stereo vs.mono, or which tracks to duplicate for stereo pairs, you’ll need to make sure your audio is set up properly. See the screencast MediaStorm Guide to Audio Configuration for assistance.

As a general rule, I use the better audio source and double it so I now have a stereo pair.

MULTI-CAMERA SEQUENCE

A multi-camera sequence appears in your timeline as one clip, but bundles multiple camera angles together so that you can easily see all available options as you edit.

To create a multi-camera sequence, first create a new empty sequence (Command-N). Next, drag your synced sequence from the Project window into this one. Putting one sequence inside another is referred to as a nested sequence.

Rename your new sequence ProjectName_InterviewName_multiclip_RAW. Still in the timeline, right-click your sequence and select Multi-Camera > Enable.

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MediaStorm Guide to Creating Effect Presets in Premiere Pro CC

This article is part of a series of posts with tips and tricks from our producers’ experience working with Adobe Premiere Pro after years of working in Final Cut Pro. To read more about why we made the switch, check out this post.


Reader Filip Lein asks, “I would love to be able to make custom effects like I had in FCP7…How can one make those please?”

Saving custom effects in Premiere Pro CC is easy but not obvious.

First, add an effect to a clip by doing the following:

  1. Search for the effect in Effects window (Shift–7).

  2. Drag the effect on to your timeline clip.

  3. Change the effect parameters by first clicking the clip in the timeline then opening the Effect Controls window (Shift–5). You may need to twirl down the disclosure triangle to see all of its options.

Once the effect is set to your specifications, right-click the name and choose Save Preset.

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MediaStorm Guide to Fixing Missing Waveforms

This article is part of a series of posts with tips and tricks from our producers’ experience working with Adobe Premiere Pro CC after years of working in Final Cut Pro. To read more about why we made the switch, check out this post.


Last week, while editing the epilogue for Jeff Hutchen’s Travel Anonymous, my Premiere Pro audio waveforms mysteriously disappeared.

If you find yourself in a similar predicament, here’s how to get them back.

First, make sure your audio waveforms are turned on. You can find this option under the wrench icon in your timeline.

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