One More Day to Apply: MediaStorm Spring Internship Deadline is Nov 1st

We’re accepting applications for our Spring 2014 Internship Program until tomorrow, November 1st, 5 p.m. EST. If you’re motivated, highly organized, and passionate about multimedia, we’d love to hear from you. The internship generally runs from January to April, but start dates are flexible. We’re looking for applicants with experience in multimedia production, design, motion graphics, and/or web development. Internships are paid. How to Apply All applications must be submitted through our online application form. Applicants should be prepared to supply: Links to pieces produced/collaborated on (please indicate role in each) Available start/end dates Hours/week available Apply Now

Continue ReadingOne More Day to Apply: MediaStorm Spring Internship Deadline is Nov 1st

OS X Mavericks Brings the MediaStorm Field Guide to Your Desktop

One of the most common questions we get at MediaStorm is, "how can I read your Field Guide if I don't have an iPad!?!" Thanks to the good folks at Apple, we finally have an alternative for tablet-less storytellers. The MediaStorm Field Guide joins 1.8 million book titles that are now available on your desktop with the new version of OS X, Mavericks. The free app will allow you to read purchased books and textbooks right from your desktop. About Our Field Guide The MediaStorm Field Guide outlines fundamental concepts for gathering multimedia content in the field for documentary films. The guide is based on MediaStorm’s years of experience shooting and producing award-winning projects. Serving as a quick reference for multimedia teams in the field, the guide covers important concepts from picking appropriate gear, to setting up audio correctly, to shooting b-roll and backing up media. Additionally, each chapter’s most important points…

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Worth Clicking: NYC Documentaries, Interactive Highrises, and Janis Joplin

All links are hand-picked by the MediaStorm staff for your enjoyment this weekend. Cheers! Portraits of soldiers before, during, and after war [My Modern Met] The 10 best documentaries about New York City [NonFics] Janis Joplin on rejection: “You are what you settle for.” [YouTube] “When you do something guaranteed to succeed, you close the door to the possibility of discovery.” [LifeHacker] How should we judge the best multimedia? [News Shooter] American Cinema Editors is an honorary society of motion picture editors founded in 1950. [ACE-filmeditors.org] You know your film is making a difference when…. Ellen Schneider fills in the blank. [ARTSblog] 105 vital sources for journalists in the new media landscape [Journalism Degrees and Programs] An amazing interactive history of the rise of highrises in New York [New York Times] And how could we resist....Bohemian Rhapsody arranged for a symphony orchestra [YouTube]

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Meet Me in the Swamp: Structure, Motivation and Vulnerability in the Classroom

Today’s guest post is from Beatriz Wallace, Visiting Professor of Journalism and Multimedia Arts at Duquesne University in Pittsburgh, Pennsylvania, on her experience blending online tools like MediaStorm’s Online Training into her curriculum.

Beatriz Wallace is from New Orleans, Louisiana. She has an undergraduate degree in English from Amherst College and a master’s degree in Photojournalism from the University of Missouri. Follow her on Facebook, Instagram, and Twitter


Vulnerability in the Classroom

On the night before my semester begins, I can barely sleep. I prepare all the class topics for the semester before the first day because I’m the nervous type. But then I surrender to training videos, field workflow checklists, in-class activities, rubrics and students to guide the semester.

Three things take precedence in my classroom: vulnerability, structure and motivation. Brené Brown says in her widely circulated TED talk, “Vulnerability is the birthplace of innovation, creativity and change. To create is to make something that has never existed before. There is nothing more vulnerable than that.”

We achieve vulnerability when we feel safe making mistakes and prize individuality. I have sixteen weeks to prove that the only wrong act in the classroom is to not try. I’m responsible for creating a classroom wherein students are more motivated by their passion for storytelling than they are afraid of vulnerability. Research and personal experience indicate that directive structure creates an environment more conducive to vulnerability.

MOOCs And Flipped Classrooms

Educator and author Aaron Sams famously asked, “What’s the most valuable thing to do with the face time I have with my students?’ The answer is not, ‘Stand up and lecture them.” The answer, according to Sams’ research that innovated the “flipped classroom” model, is “What used to be classwork (the lecture) is done at home via teacher-created videos and what used to be homework (assigned problems) is now done in class.”

Comparing the “flipped classroom” model to the MOOC (massively open online courses) model is like comparing glitter to grass; they don’t have anything in common. Both models celebrate technology in the classroom, but each embodies vastly different approaches to learning. MOOCs offer courses online for free, to anyone with Internet connections in the spirit of democracy and equal access to higher education. But MOOCs do not provide the personalized guide or the physical site for constructionist learning. I use online training videos to flip my classroom, not to replace class time.

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MediaStorm 2014 Workshop Dates Announced

2014 marks our seventh training year at MediaStorm. Each year our workshops attract leading industry professionals looking to advance their multimedia and storytelling skills. Over 100 participants have come through our professional workshops and we continue to be humbled by how much they take away from the experience.

Dana Schiopu, Senior Media Officer at the International Monetary Fund, told us that our Methodology Workshop was a “life changing experience for any media professional.” She said, “Brian and his amazing team revealed all the secrets of some of the most compelling storytelling multimedia communication I have seen so far.”

After taking our Storytelling Workshop, Jillian Kitchener, Visuals Editor for Reuters, had the following to say, “Working side-by-side with the [MediaStorm] team was a great honor. From the first hour, I was immersed in the realm of storytelling. I learned how to find a visually-interesting story as well as interview techniques that encourage your subject to open-up. I learned MediaStorm’s editing workflow including how to build a narrative from the ground up. I learned photo editing techniques, b-roll selection, and tips and tricks to bring audio, visuals and narrative into a cohesive piece.”

In 2014 we’ll be offering three Methodology, three Storytelling, and five One-day workshops at our studio in Brooklyn, NY. We are looking forward to another exciting, innovative and challenging training year. We hope you’ll be able to join us.

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