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Kim Komenich

Assistant Professor, Photographer, Educator
Methodology 01: July 2009
Workshop Participant

Kim Komenich is an assistant professor for new media at San Francisco State University. Komenich worked as a staff photographer and editor for the San Francisco Chronicle (2000-2009) and the San Francisco Examiner (1982-2000). He was awarded the 1987 Pulitzer Prize in Spot News Photography for photographs of the Philippine Revolution he made while on assignment for the Examiner. Komenich has photographed the ramifications of conflict in the Philippines, Vietnam, Guyana, El Salvador, the former Soviet Union and most recently in Iraq, where photos from his three trips to the Sunni Triangle in 2005 earned him the Military Reporters and Editors' Association's 2006 Photography Award.

In 2010 he received the national Sigma Delta Chi award for Independent Digital Media Presentation (with reporter Kwan Booth and editor Josh Wilson) for Newsdesk.org's "Bay Area Toxic Tour." He also received the National Press Photographers Association's 2010 Humanitarian Award.

He has received the Distinguished Service Award from the Society of Professional Journalists, the 1983 World Press Photo News Picture Story Award, and three National Headliner Awards.

From fall, 1998 to winter, 2000 he was a visiting instructor at the University of Missouri, where he taught the capstone "Picture Story and the Photographic Essay" course. While at Missouri he received the Donald K. Reynolds Graduate Teaching Award.

He is a 2005 recipient of the Clifton C. Edom Award from the National Press Photographers' Association.

He was a 1993-94 John S.Knight Fellow at Stanford and a fall, 2001 teaching fellow at The Center for Documentary Studies at U.C. Berkeley. He was a 2006-07 Dart Ochberg Fellow at the Dart Center for Journalism and Trauma, now based at Columbia University.

In 2007 he received his MA in Journalism from the University of Missouri, where he studied the history and practice of multimedia photojournalism.

Kim participated in the July 2009 MediaStorm Methodology Workshop. He had the following to say about his experience:

The Mediastorm Methodology Workshop exposed me to the inner workings of one of the most celebrated multimedia houses in the history of the medium. I watched as MediaStorm multimedia producers and interactive designers created cutting-edge multi-platform multimedia in real-world environment where creativity, technology and economic survival meet.
My hypothesis about teaching all the skills necessary to do original, compelling multimedia were validated--the student needs to found their career on a core competency. There are processes that students need to understand and there are prosesses that students need to know, to know as well as a jazz musician knows their instrument.
The temptation is to try make multimedia students "jacks of all trades", but the MediaStorm experience shows that graduates who are "masters of one" seem to be getting the good jobs. Students with a rich portfolio and an original point of view will have an advantage over those who have "shown competency" in all of the multimedia disciplines.
In short, there are things to know and there are things to truly understand. The multimedia project should be thought of as a production, so we should be educating "producers" who are proficient to the point of originality and insight about their multimedia core storytelling competency (video, audio, stills, etc.), and knowledgeable enough about the other skills needed to be able to assemble the best team of interactive designers, video editors and coders, to get the job done.
For the multimedia teacher, the first day of class might best be compared to the first day of football camp or the first day of band camp. Who is a natural-born quarterback? Who aspires to play the trumpet? Once this is decided, the process of teaching music and football can begin.
As much as multimedia teachers don't want to believe it, there are natural-born coders and back-end people in other departments who need story content for their projects.
And that's what it's all about, really-- telling a story. The only people calling this "new media" are the teachers. Most of our students have grown up with digital photography. Some might have already shot and edited a short video. To add too much weight to the teaching of the technical aspects of multimedia, to the detriment of the fieldwork and storytelling, is the equivalent of spending a semester teaching a group of aspiring writers to be better typists.
The Mediastorm Methodology Workshop gave me the confidence to set these priorities:
--Find a student's core competency and light a fire.
--Encourage collaboration.
--If you are practicing true multimedia storytelling, the story will tell you, as producer, how it should be told and what the proportions of video, audio, stills, and interactive design will be.
--Encourage entrepreneurship. There will never be a time in your students' lives when it will be easier to crash on a friend's couch and eat Taco Bell while inventing the next breakthrough in multimedia storytelling.
What a week! Do it!

MediaStorm Project Showcase

Back from the Brink

Once teetering on the brink of extinction, the Santa Catalina Island Fox made a dramatic recovery. Its resurgence marks one of the greatest conservation success stories in United States history.

Lights in the Shadows

In the shadow of Silicon Valley’s booming technology industry, a growing number of people remain out in the cold. Skyrocketing housing prices in America’s hub of innovation have pushed many onto the streets, straining policymakers to find solutions to a homelessness problem that impacts everyone in the community.

Zora J Murff

This page recognizing Zora J Murff for ICP’s 2023 Infinity Award for Documentary Practice and Visual Journalism features a film about his life, a slideshow of his projects and extra clips of his thoughts about his work and motivation.

Sebastião Salgado

Sebastião Salgado says "a good picture, a fantastic picture, you do in a fraction of a second, but to arrive to do this picture, you must put your life in there."

Esther Horvath

Esther Horvath has sent questions to the universe and she has received answers. She found her calling to tell visual stories that show the full research story behind our climate data.

Acacia Johnson

See photographer Acacia Johnson’s growth from her earliest explorations of Alaskan landscapes to a National Geographic cover for a documentary project among indigenous people of the Arctic.

Don McCullin

Sir Don McCullin never intended to become a photographer. He found it hard to believe he’d ever escape the poverty of North London. But a spur of the moment photograph launched McCullin into a career spanning 50 years in photography.

The War Comes Home

As the U.S. prepares for the final drawdown of soldiers from the conflicts in Iraq and Afghanistan, Soledad O’Brien and MediaStorm take an intimate look at two veterans as they struggle with the transition from war to home.

Zadie Smith

Writer Zadie Smith pays homage to photographer Deana Lawson in the artist’s first Monograph for Aperture.

Fight Hate with Love

As a formerly incarcerated person, Michael struggled for work, and found purpose in being a husband, father, and activist. But 7 years since his release from prison, the cost of Michael’s activism is evident.

The American-Made Benny

Benny is a “certified” garbologist. He collects what others throw away. Benny is also at war with his family. Here is a man sharing a house with his wife but living as a stranger. This is a household on the edge.

Amber Bracken

Photographer Amber Bracken recognized something deeper than a protest was afoot when hundreds of tribes gathered at the Standing Rock reservation in opposition to the Dakota Access Pipeline.

A Shadow Remains

How does the death of a child change a parent? How does the death of a parent change a child? How do these moments change us as we develop and grow further away from who we were as children?

Maurice Berger

Maurice Berger–cultural historian, and columnist for the New York Times’ Race Stories–has spent his career studying and teaching racial literacy through visual literacy. 

Japan's Disposable Workers

Japan’s Disposable Workers examines the country’s employment crisis: from suicide caused by overworking, to temporary workers forced by economics to live in internet cafes, and the elderly who wander a town in search of shelter and food.

Karl Ove Knausgaard

Karl Ove Knausgaard is the celebrated author of a massive six-volume autobiography. But Knausgaard remains confused by the attention. This is a portrait of a man who has achieved massive success yet still considers himself unworthy.

The Last Move

Michael Thomasson has devoted his life to video games. It’s been his passion and his obsession for more than three decades. He owns over 11,000 unique game titles for more than 100 different systems.

Michael Christopher Brown

A film about Michael Christopher Brown for the 2017 ICP Infinity Awards.

The Long Night

The Long Night, a feature film by Tim Matsui and MediaStorm, gives voice and meaning to the crisis of minors who are forced and coerced into the American sex trade.

Jonathan Harris & Gregor Hochmuth

Jonathan Harris and Greg Hochmuth have a complicated relationship with the internet and have worked together to develop an artwork that explored some of the more difficult consequences of what it means to live with the internet.

Inside Tracks

In 1977, Robyn Davidson walked 1,700 miles across the Australian outback. National Geographic sent Rick Smolan to photograph her perilous journey—a trek that tested and transformed them, forming an immutable bond that continues to this day.

Driftless: Stories from Iowa

Once at the center of the U.S. economy, the family farm now drifts at its edges. In Iowa, old-time farmers try to hang on to their way of life, while their young push out to find their futures elsewhere. Driftless tells their stories.

Common Ground

The American family farm gives way to a subdivision - a critical cultural shift across the U.S. Common Ground is a 27-year document of this transition, through the Cagwins and the Grabenhofers, two families who love the same plot of land.

Remember These Days

For Walter Backerman, seltzer is more than a drink. It’s the embodiment of his family. As a third generation seltzer man, he follows the same route as his grandfather. But after 90 years of business, Walter may be the last seltzer man.

Art: Larry Fink

Larry Fink has spent over 40 years photographing jazz musicians, wealthy manhattanites, his neighbors, fashion models, and the celebrity elite. His archive is a thoughtful collection of American history, and Fink’s experience of it.

LaToya Ruby Frazier

LaToya Ruby Frazier’s body of work “The Notion of Family” examines the impact of the steel industry and the health care system on the community and her family. Collaborating with her mother and grandmother, she uses her family as a lens to view the past, present and future of the town.

Tomas van Houtryve

Tomas Van Houtryve wants there to be a permanent visual record of the dawn of the drone age, the period in American history when America started outsourcing their military to flying robots. In order to create this record, Van Houtryve sent his own drone into American skies.

Evgenia Arbugaeva

Evgenia Arbugaeva was born in the magical town of Tiksi, Russia. This barren, arctic landscape influenced Arbugaeva in almost every aspect of her dreamlike photography.

Surviving the Peace: Laos

Surviving the Peace: Laos takes an intimate look at the impact of unexploded bombs left over from the Vietnam war in Laos and profiles the dangerous, yet life saving work, that MAG has undertaken in the country.

A Thousand More

A family is determined to give their disabled son a whole and vital life. In the midst of a great burden, one small child – with a seemingly endless supply of love – is the blessing that holds a family together.

Lynn Johnson

Inspired by the photographs of the Farm Security Administration growing up, Lynn Johnson has spent nearly 35 years as a photojournalist working for LIFE, National Geographic, Sports Illustrated and various foundations.

Resetting The Table

Resetting the Table takes a unique, personal look at the impact Starbucks’ Create Jobs for USA program has had on the American Mug & Stein pottery facility in East Liverpool, Ohio.

Hungry Horse

Hungry Horse captures the spirit of renewal, peace and serenity through stunning landscapes and intimate oral histories.

The Amazing Amy

Using humor and a love of fantasy, "The Amazing Amy" Harlib connects with audiences through performing strenuous yoga-based contortion acts in New York City.

The Bride Price

In many countries, girls as young as eight are forced into marriage by their families, culture and economic situation. This practice destroys their chance at education leading to tragic results.

David Guttenfelder

Surreal and mysterious, North Korea was a black hole to outsiders wanting a glimpse of the country. That all changed in 2012, when AP photographer David Guttenfelder led the opening of the bureau's newest office inside the North Korea.

Take Care

Virginia Gandee's brilliant red hair and dozen tattoos belie the reality of this 22-year-old's life. Inside her family's Staten Island trailer her caregiving goes far beyond the love she has for her daughter.

A Darkness Visible: Afghanistan

Based on 14 trips to Afghanistan between 1994 and 2010, A Darkness Visible: Afghanistan is the work of photojournalist Seamus Murphy. His work chronicles a people caught time and again in political turmoil, struggling to find their way.

Intended Consequences

In Rwanda, in 1994, Hutu militia committed a bloody genocide, murdering one million Tutsis. Many of the Tutsi women were spared, only to be held captive and repeatedly raped. Many became pregnant. Intended Consequences tells their stories.

The Marlboro Marine

To those who serve in the armed forces, what is the aftereffect of war? The Marlboro Marine is photographer Luis Sinco's portrait of Marine Corporal James Blake Miller, whom he met in Iraq. For Miller, coming home has been its own battle.

Ivory Wars

Zakouma National Park is one of the last places on earth where elephants still roam by the thousands. In a land where poachers will slaughter the huge animals for their tusks alone, it takes armed guards to keep them safe.

Kingsley's Crossing

Kingsley's Crossing is the story of one man's dream to leave the poverty of life in Africa for the promised land of Europe. We walk in his shoes, as photojournalist Olivier Jobard accompanies Kingsley on his uncertain and perilous journey.


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