Support “Frame by Frame” on Kickstarter

For filmmaker and multimedia journalist Mo Scarpelli, Frame by Frame is an opportunity to give a voice to those relegated to silence. Developed with filmmaker Alexandria Bombach, the character-driven feature-length documentary follows the story of four Afghan photographers to explore the country's recent revolution in local photojournalism. You can help complete their project on Kickstarter. Background In 1996, the Taliban banned photography in Afghanistan. Since the regime was removed from Kabul in 2001, photography has become an outlet for Afghans determined to show the hidden stories of their country. "The need for local journalism in Afghanistan couldn't be more important than it is right now," says Scarpelli. "To build democracy and independence, to hold those in power accountable, to drive social and political change. This is going to be an incredible story of what that means." The Film The film chronicles Afghan photojournalists seizing a unique opportunity to build democracy in a…

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GlobalPost and MediaStorm collaborate on Life, death and the Taliban

GlobalPost and MediaStorm have collaborated to produce a new multimedia project, Life, death and the Taliban, which seeks to enhance America’s understanding of Taliban history in Afghanistan and Pakistan. At this crucial time in the U.S.-led war against the Taliban, Charlie Sennott recaps the group’s rise to power and looks at current political and counterinsurgency efforts in Afghanistan. Photographer Seamus Murphy, who has long chronicled the shifts of power in Afghanistan, accompanied Sennott to Kabul for this report. This project includes several stories and video pieces, along with an interactive timeline, to help viewers understand the complex issues at play in this volatile region.

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August Digital Journalist now online

This month's Digital Journalist leads off with a feature on Seamus Murphy's recent book, "A Darkness Visible," exploring almost 15 years of work in Afghanistan. The work is intimate and personal, looking at the culture of the Afghan people, not just the destruction of war. When asked why he did not write a lengthy essay for the book, Murphy responded: "I really don't have a message—I am probably as much in search of answers. What drives me is to shoot what interests me and to find out how life is for all of us. In that there may well be messages of humanism and my belief in the ultimate goodness of the vast majority of people—but it is not a conscious subtext." Murphy's gallery is definitely worth spending some time in. Other features this month look at the Death of Photojournalism, News Aggregators, and a great article on Networking and creating a…

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John Moore featured on The Digital Journalist

"I enjoy doing stories that challenge me. Wars are by their very nature very challenging environments, physically, emotionally, photographically, so there is a natural attraction there for me I suppose. But that aside, I feel strongly that we should cover the events that shape our world." ~ John Moore The July issue of The Digital Journalist is now online. This month's main feature is on John Moore, a  Getty photographer who has spent the last 17 years covering international news. He recently took the photos of the assassination of Benazir Bhutto, and has spent much of the last year in Iraq, Afghanistan and Pakistan. With a lengthy introduction and interview, and three galleries of Moore's work (Pakistan, Iraq, and the Pan-American Highway), this is a must-see story.

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