MediaStorm Guide to Rendering in Adobe Premiere Pro

This article is part of a new series of posts with tips and tricks from our producers' experience working with Adobe Premiere Pro after years of working in Final Cut Pro. To read more about why we made the switch, check out this post. Today's post was written by MediaStorm producer Eric Maierson. If you’ve spent any time in Adobe Premiere Pro, you’ve probably noticed the various colors above the timeline. According to Adobe’s help pages they can be decoded as follows: Green: There are preview files available for this section that will be used during playback. Playback will be in real time. Yellow: There are no preview files available for this section. These sections will render just before the playhead reaches them. Playback will probably be in real time. Red: There are no preview files available for this section. These sections will render just before the playhead reaches them. Playback will…

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Finishing is the Hard Part

Creative work is of course never really finished. As the saying goes, it’s only abandoned. Nevertheless, the last few days of production can feel excruciatingly difficult. At MediaStorm, we often say that the last 10 percent of work requires 30 percent of the effort. So why is that? I think the struggle comes from two equally strong and opposing forces. On the one hand, there’s a certain impatience at the end of a project. Often after spending weeks or even months on the same piece, I’m frankly ready to be done. I’m ready for others to start watching. On the other hand, finishing a project requires a meticulous attention to detail. Just as my work feels like it’s coming to an end, there’s a barrage of tedious but requisite tasks that need to be finished: adding room tone, mixing and repairing audio, color correcting video. So even as there’s a strong pull…

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Read more about the article Alexia Foundation Exhibition: Images & Issues
Jasmine Rasheed-Bacon, 6, consoles her cousin, Breonna Starkey-Bacon, 6, after she went into a closet to cry because of a disturbance in the house. The two cousins are very close and rely on each other for support. The girls live in a dangerous neighborhood called the Sun Village in Chester, which is notorious for its drug trafficking and drug related crime. Photo by Justin Maxon courtesy of Alexia Foundation

Alexia Foundation Exhibition: Images & Issues

The Alexia Foundation will be hosting “Images and Issues” at 25 CPW Gallery on January 23rd, 2013 in New York, New York. The exhibition will feature selected works from the Alexia Foundation’s 22 years of awarding grants to photojournalists, with a special focus on the 2012 professional and student winners, Justin Maxon and Katie Orlinsky, both of whom will be in attendance. Proceeds from this event will benefit the Women’s Initiative and celebrate the work of Alexia Foundation and the photojournalists it encourages. The event will feature works by Melanie Blanding, Wesley Law, Ismail Ferdous, Ezra Shaw, Bob Miller, Marie Aragon, Juliette Lynch, Matt Lutton, Veronica Wilson, Justin Yurkanin, Mark Murrmann, Christopher Lane, Ryan Henriksen, Peggy Peattie, Matt Black, Mackenzie Reiss, Ami Vitale, Katie Orlinsky, Justin Maxon, Stephanie Sinclair, Khaled Hasan. Event Details “Alexia: Images & Issues” 25 CPW Gallery (located at 62nd Street and Central Park West) Wednesday, January 23rd, 2013…

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