MediaStorm Announces Post-production Workflow for Premiere Pro

Here it is: a year-and-a-half after our big switch from Final Cut 7 to Premiere Pro, we are proud to announce the release of MediaStorm’s Post-production Workflow for Adobe Premiere Pro. In more than 150 steps, you’ll learn to organize and edit your projects with the same proven efficiency we’ve used time and again–we focus on organizing first so that creativity is not hampered once editing begins. This workflow is a complete guide to working in Premiere Pro: from importing material through final output and archiving. The underlying principal of the MediaStorm process is elimination. Whether it be pictures, interviews or b-roll, our guiding rationale is to save the good stuff and take away the rest. These steps emphasize the importance of making a copy of your work at each stage so that should you need to access previously discarded material, you have a clear and quick path back to needed material.…

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Now Playing on MediaStorm: Japan’s Disposable Workers for Pulitzer Center

We are pleased to present Japan’s Disposable Workers, a film series produced in collaboration the Pulitzer Center on Crisis Reporting. Based on Shiho Fukada’s portrait series, the film explores the labor issues affecting Japan in three sections, to illustrate the larger global labor crisis at work.  Overworked to Suicide After the recession of the 1990s, Japan’s white collar salarymen increasingly must work arduous hours for fear of losing their jobs. Working essentially two shifts a day for weeks at a time leads frequently to feelings of depression, something that is still stigmatized in Japan.   Net Cafe Refugees Internet cafes have existed in Japan for over a decade, but in the mid 2000s, customers began using these spaces as living quarters. Internet cafe refugees are mostly temporary employees, their salary too low to rent their own apartments.   Dumping Ground Kamagasaki, Osaka, Japan used to be a thriving day laborer’s town. Today, it is home…

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Thoughts on Limitations

Last month, I spoke at the The Image Deconstructed workshop in Chapel Hill, North Carolina. Also there was Sara Naomi Lewkowicz discussing her powerful series of photographs, Shane and Maggie. After her presentation, I asked, “How do you start a new project knowing that it probably will never match the caliber of this series?” She said, “I have to accept the fact that the best work of my career may already be done.” It was an incredibly honest and graceful response. Her best work may already be completed, and yet here she is, still fighting against the odds to do better each time. For me, there’s a great lesson: not simply that every project can’t be a bases-loaded-out-of-the-park-home-run but rather the underlying implication–that every time we pick up a camera or sit down to edit, we are fighting against the limitations of both the work in front of us and our own natural…

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The 2014 ICP Infinity Awardee Films By MediaStorm

MediaStorm is pleased to present a film series produced in collaboration with the International Center of Photography with support from the Harbers Family Foundation. Since 1985 ICP’s Infinity Awards have brought attention to outstanding achievements in photography by honoring individuals with distinguished careers in the field and identifying future luminaries. The 2014 Infinity Awards films serve as a portrait of some of the important contributors to photography today. Photojournalism: Stephanie Sinclair & Jessica Dimmock Too Young to Wed, a transmedia campaign using images by Stephanie Sinclair and videos by Jessica Dimmock, works to support girls who are already married and ultimately bring an end to child marriage. Publication: Adam Broomberg & Oliver Chanarin Adam Broomberg and Oliver Chanarin are a collaborative team that has spent the last 15 years pushing the boundaries of what it means to be a traditional photographer. Art: James Welling James Welling’s vibrant digital inkjet prints and detailed colored…

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